Beat Pantry
Record House
Clear a trackVault
Picture is playing. Unmute to hear Built For This, the walk, and the door.
One writer · one master · one signature
A private record house for film, television, trailers, advertising, sports, and games. Lyrics are written by a person before a note is generated, the AI assist is disclosed, and every master is hand finished. One signature clears the writer, the publisher, and the master.
Not a marketplace of other catalogs. The writer, the publisher, and the master sit in this house, and one signature clears the placement.
For supervisors
Four steps, one house. The paperwork names the track, the use, the territory, and the term.
Play a cue in the vault. The public stream carries a voice tag. An approved supervisor can download a clean preview.
Save cues to a project and share a review link. A shortlist is not a reservation.
Production, media, territory, and term. You get a firm quote the same day.
Writer, publisher, and master move together. The indemnity is in the agreement.
Download a cue-sheet worksheet with verified party IPIs. Missing track identifiers and splits are marked for confirmation.
Full stems and a clean instrumental ship with every license.
A mix that sits under picture without a second pass from the house.
Broadcast lengths, finished to minus 1.0 dBTP.
Audrese Lezare Prince, BMI, writer IPI 00649775585. Foreign Prince Entertainment, BMI, publisher IPI 00889315977. Governing law: Colorado. Desk: sync@beatpantry.com. Track-specific clearance documentation is confirmed with the quote.
Supervisor catalog
A working library for music supervisors. Hold a cue, then clear the placement with one signature. Every master ships with stems and an instrumental.
Writer, publisher, and master are controlled in this house. No borrowed samples. No third party on the clearance.
The written license names the track, the use, the territory, and the term. A full indemnity stands behind the warranties.
Verified party IPIs are provided. Check each cue for confirmed identifiers and splits; request any missing information before filing.
WAV, stems, instrumental, dialogue-safe TV mix, and 60, 30, and 15 second cutdowns. Finished to minus 1.0 dBTP. No trackout upsell.
Filters use confirmed catalog metadata. Unclassified cues stay visible under "Any." A BPM range excludes cues with an unconfirmed tempo.
Shortlisting saves favorites; it does not reserve a cue or grant rights. Projects are saved in this browser.
Review links contain the project name and selected cues. Anyone with the link can view that snapshot; use a non-confidential project name. Changes require a new link.
Holiday music
Five sync ready Christmas cues. Kept in their own vault section, not mixed into the main catalog.
Sixteen cues stream a tagged preview in the main catalog. Five holiday cues sit in the Holiday section. Approved supervisors download a clean file. Those links expire after two days.
Placements first
We own the writer, the publisher, and the master, with no borrowed samples in the room, so one email clears the entire catalog with a full indemnity behind it.
Every line human written by Audrese Lezare Prince before a note is generated.
Human selected from many takes, finished to minus 1.0 dBTP, stems and instrumental included.
Writer, publisher and master, all in the house, cleared the same day.
The desk
Placements are the main lane. Artist leases sit beside them.
Tell us the cue, the use, the territory, and the term. You get a firm quote the same day and a written one stop license that names the track, the use, the territory, and the term. Master and composition are cleared together with a full indemnity behind them, the standard a broadcast or studio buyer needs.
Releasing your own song? License a beat outright at a flat rate: a lease, an unlimited lease, or an exclusive buyout. Stems and instrumental are always included, and the same one stop clearance applies.
| Tier | What it covers | Fee |
|---|---|---|
| Student, festival & review | Student films, festival submissions, press and review, screeners and sizzles. | Free to $150 |
| Social, reality & web | Reality TV, social and influencer, web series and podcasts. One to three year term. | $250 to $750 |
| Indie film & doc | Independent features, shorts and documentaries, festival plus distribution. | $500 to $2,000 |
| Regional broadcast | Regional TV spots and local broadcast, single market or region. | $1,500 to $4,000 |
| National ad & broadcast | National advertising, network and streaming broadcast. | $5,000 to $20,000 |
| Trailer & AAA game | Theatrical and streaming trailers, promos, title sequences, console and PC games. | $10,000 to $40,000 |
| Custom & exclusive | Full exclusive ownership or a bespoke worldwide perpetual grant, pulled from the catalog. | From $25,000 |
| Content creator | One track for one social channel, perpetual for that channel. YouTube, Instagram, TikTok, Facebook, Twitch, and a podcast. Personal use only. Not client work, not paid ads, not broadcast, and not a supervisor placement. Request it at sync@beatpantry.com, the same path as a custom license. | $49 |
Stems and instrumental always included on every tier. Tell us the cue, the use, and the term, and you get a firm number the same day.
Audrese Lezare Prince, BMI, writer IPI 00649775585. Foreign Prince Entertainment, BMI, publisher IPI 00889315977.
Most favored nations cooperation, cue sheet completion, and the indemnity are written into the one-stop agreement.
Read the full one-stop agreement Clearance questionsBefore you write
Three answers supervisors ask before the agreement. The full terms stay on the license page.
You sign once, and the house signs once. Beat Pantry holds the writer share, the publisher share, and the master, so there is no third party to collect.
A WAV master at minus 1.0 dBTP, stems, an instrumental, a dialogue-safe TV mix, and 60, 30, and 15 second cutdowns. A cue sheet comes back on request.
The same day, after you name the cue, the use, the territory, and the term. The draft goes to sync@beatpantry.com.
The rooms
Not a wood room from 1974. A room built for what comes next, and built to be filmed while the work happens.
Where a song learns to stand on its own and fill the space above it.
Sealed and close, where the quiet things are kept and made to travel.
Where the pocket lives and the pressure builds.
The roster
The house keeps a small roster. Each one owns a lane, and no one shares it. Placements still come from the vault.
A quiet one behind thick glasses, with an ear that never misses. He lives in the pocket of the beat and he does not leave it.
Dust on the road and a story you already know the ending to.
Heat that starts after midnight and does not cool down.
The one you hum before you learn the words.
Sync licensing and custom music
Film, television, trailers, sports, games, ads. Clear a track in one email, or send the brief and we build it to picture with stems on day one.
sync@beatpantry.com